The roots of human culture appeared for the first time in the world, without any evolution, as a SnakeRingStoryTheater (SRST) in the Terminal Ice Age decorated caves of Western Europe.WESVV001AiWESVT001AiIn the decorated caves of the Terminal Ice Age mountains, faceless mother goddesses such as this were prominent figurative images.WESVV067AiWESVT067AiPicasso paintings from the SnakeRingStoryTheater in consciousness.WESVV068AiWESVT068AiAt the first subsequent Little Ice Age, the world’s first civilizations emerged, with extensive SRSTheaters, and ziggurats, pyramids, large mounds, and sacred mountains for the now mythic mountain. WESVV010AiWESVT010AiThe SRST now remains as the human consciousness in the high road of the mind, providing a more considered response than the primitive low road between sensory input and amygdala responses.WESVV011AiWESVT011AiUnexplained fantasies that appear in childhood and maturity derive from roles of the young and the old members of the sun-family in this embedded Terminal Ice Age SRST.WESVV012AiWESVT012AiGarden of Eden interpreted: The place on the horizon where the end-of-winter sun descends in his encircling serpent path to join with the mother goddess and make the new sun of springtime. WESVV013AiWESVT013AiGhosts in the house are the remaining soulless husks of end-of-winter suns, and potential attackers of young springtime suns, in the western horizon house before they go to the underworld. WESVV014AiWESVT014AiPatterns in the world’s alphabets, and the earliest appearance of syntax in the composite scenes of the decorated Terminal Ice Age caves, suggest language and writing began with the SRST.WESVV015AiWESVT015AiSocieties’ rites such as dancing and ritual burials made their first appearance with humanity playing roles of the sun-family in the decorated caves, to invoke springtimes.WESVV016AiWESVT016AiEmotions as the sun-family followed, such as romance at sunset, and serenity at a Japanese rock garden’s simulation of the western horizon mountain in the sea.WESVV017AiWESVT017Ai
A Nigerian sacred calabash represents the snake path of the sun surrounding the earth, which floats within on the seas of the world.
WESVV002AiWESVT002AiBasquiat painting from the SnakeRingStoryTheater in consciousness.WESVV069AiWESVT069AiTerminal Ice Age mankind linked their European mountains that appeared from the floods of melting Ice Age glaciers with the horizon String of Fire mountains that emerged from the Atlantic Ocean.WESVV003AiWESVT003AiLeger paintings from the SnakeRingStoryTheater in consciousness.WESVV070AiWESVT070AiThere was a biological urgency to the SnakeRingStoryTheater (SRST) in the decorated caves because mutations of humanity had occurred in the past from failures to adapt to major environmental changes.WESVV004AiWESVT004AiChagall paintings from the SnakeRingStoryTheater in consciousness.WESVV071AiWESVT071AiOur species had complex toolmaking by this Terminal Ice Age time and robust primate mirror systems, to theatrically inspire the sun to ostensibly bring back springtimes in nature, restoring fertility. WESVV005AiWESVT005AiWith their batons, our ancestral early modern man tracked the sunsets on the horizon to a volcanic mountain in the Atlantic Ocean’s Line of Fire, a sunset usually followed by springtime.WESVV006AiWESVT006AiTheir theater was directed to mirroring the sun’s apparently spiraling activities, from its winter-sun descent through that volcanic mountain, to its reign in the sky as the springtime sun.WESVV007AiWESVT007AiMany versions of a lush female figure were in the decorated caves to entice the end of winter sun to have sex with her and give birth to the springtime sun inside that horizon mountain.WESVV008AiWESVT008AiAfter the decorated caves had apparently produced regular springtimes, the first true city arose in the world, Catal Huyuk, in southern Turkey, with the SRSTheater in its shrine rooms. WESVV009AiWESVT009AiWinged serpents on the ceiling of a decorated Terminal Ice Age cave.WESVV018AiWESVT018AiThe SnakeRingStoryTheater reincarnation of the sun expressed in an artifact from a Siberian burial.WESVV038AiWESVT038AiTerminal Ice Age direct descendants in southwestern Canada use headpieces in their dances that represent the winter sun within the feathered serpent path, and being replaced by the springtime sun.WESVV053AiWESVT053AiDrawing on the ceiling of a Terminal Ice Age cave, of a winged serpent carrying a bird-human through levels of the sky.WESVV019AiWESVT019AiThe SnakeRingStoryTheater warrior feline with antlers on his head expressed in the headpiece of a Japanese shogun’s armor.WESVV039AiWESVT039AiThese Terminal Ice Age direct descendants used rafters and posts of feathered serpents to express that their lodge represented the mythic cave house within the feathered serpent path at the western horizon. WESVV054AiWESVT054Ai
Bulls splashed with red ochre painted on the celling at the entrance to a Terminal Ice Age cave.
WESVV020AiWESVT020AiThe SnakeRingStoryTheater ghosts of the winter suns remaining in the feathered serpent underworld expressed in Australian aborigine’s rock art.WESVV040AiWESVT040AiThe mythic cave house was in the vernal equinox mountain at the western horizon, that was represented by a massive rock at the center of the Hopi Indians snake dance.WESVV055AiWESVT055AiSkull of a cave bear placed on fire at top of a vertical stone in the first-ever decorated cave; corresponding to end-of-winter sun descending to flames at top of a volcanic mountain seen in the western horizon.WESVV021AiWESVT021AiThe SnakeRingStoryTheater descent of the winter sun through the feathered serpent’s seven level path in the sky to give birth to the new springtime sun expressed in Hindu art.WESVV041AiWESVT041AiThe SnakeRingStoryTheater death of the winter sun along the feathered serpent path is graphically expressed on the altar of the Arapaho sun dance.WESVV056AiWESVT056AiA reclining bull composed of red dots facing a cross, painted in the first -ever decorated cave; symbolizing the dead end-of-winter sun continuing vertically downward to cross the western horizon.WESVV022AiWESVT022AiThe SnakeRingStoryTheater’s vernal equinox mountain within the encircling feathered serpent path around the earth represented by the sacred rock within the encircling Mecca procession of Saudi Arabia.WESVV042AiWESVT042AiThe Olmec ceremonial center containing a pyramid effigy of the vernal equinox mountain on the western horizon and statuary effigies of the baby springtime sun god born there.WESVV057AiWESVT057AiMarine shells containing lumps of red ochre were in several Terminal Ice Age decorated caves, representing the dead end-of-winter sun in the western horizon sea of the volcanic mountain.WESVV023AiWESVT023AiThe SnakeRingStoryTheater mythic cave house where the winter sun was reincarnated in the western horizon expressed by Solomon’s Temple in Israel with its bull sacrifices and great bronze water basin.WESVV043AiWESVT043AiA ball player in the ball court of the Olmec ceremonial center representing the conflict in the SnakeRingStoryTheater underworld along the feathered serpent path.WESVV058AiWESVT058AiMountains in Western Europe, surrounded by flood waters of the huge Ice Age glaciers melting, were taken to represent the western horizon volcanic mountain in the sea.WESVV024AIWESVT024AIThe SnakeRingStoryTheater’s path of the winter sun’s reincarnation to springtime sun is expressed in the murals painted millennia ago in shrine rooms of the world’s first true city Catal Huyuk in Turkey.WESVV044AiWESVT044AiThis improbable location of the center of the Aztec empire was due to the city serving as an effigy of the SnakeRingStoryTheater island on the western horizon where the springtime sun god was born.WESVV059AiWESVT059AiCaves in the European mountains were taken to represent the interior of the horizon volcanic mountain, where the end-of-winter sun and mother goddess join to give birth to the springtime sunWESVV025AiWESVT025AiThe SnakeRingStoryTheater’s demonic husk of the winter sun that remains in the underworld is expressed in this Christian mosaic of bull-horned Satan sitting on the underworld serpent path of the sun.WESVV045AiWESVT045AiThe ceremonial center of the Aztecs that arose during the last of the Little Ice Ages was demonstrative of the SnakeRingStoryTheater creating civilizations during major aberrations in the climate.WESVV060AiWESVT060AiTerminal Ice Age batons, inscribed with images of the SRST and foliage to inspire birth of the springtime sun, were used to sight sunsets on the horizonWESVV026AiWESVT026AiThe SnakeRingStoryTheater mythic western horizon house of the unseen mother goddess within the vernal equinox mountain is expressed in these Egyptian illustrations.WESVV046AiWESVT046AiApollo as the young sun god of springtime in the SnakeRingStoryTheater.WESVV061AiWESVT061AiThe image of a large marine carrier, with a bird faintly inscribed on its body, in a Terminal Ice Age decorated mountain cave.WESVV027AiWESVT027AiThe SnakeRingStoryTheater’s many images of raised hands, representing the ascent of the springtime suns, was later expressed in various other parts of the world such as in an Argentinian cave.WESVV047AiWESVT047AiForbidden City of Chinese emperors was built during the last Little Ice Age as a counterpart to the mythic house where springtimes were born when the serpent path of the sun descended into the western horizon vernal equinox mountain.WESVV062AiWESVT062AiA much-worn Terminal Ice Age stone artifact bears five bird images, indicating layers in the underworld, as a corollary to seven bird images shown in the sky, and images of foliage. WESVV028AiWESVT028AiThe complete Terminal Ice Age SnakeRingStory ranging from death of the winter sun in flames in the west to reincarnation and ascent as the springtime sun in the east is in this scene around a Mayan vase.WESVV048AiWESVT048AiThe SnakeRingStoryTheater mythic western horizon house of the unseen mother goddess within the vernal equinox mountain is expressed in these Egyptian illustrations.WESVV063AiWESVT063AiScene of a solar Trinity in a Terminal Ice Age decorated cave, consisting of the previously shown phallic bird-man in the sky, now fallen; his hands pointing to a small rising bird and a castrated bull.WESVV029AiWESVT029AiThe SnakeRingStoryTheater death of the winter sun along the feathered serpent path is expressed in this painting of an American Indian sun dance altar at the start of springtime.WESVV049AiWESVT049AiGarden of Eden interpreted: winter sun and mother goddess creators of the springtime sun at the SnakeRingStoryTheater path through the western horizon.WESVV064AiWESVT064AiLion figurine and image from Terminal Ice Age decorated caves, with underworld and carrier attributes.WESVV030AiWESVT030AiTerminal Ice Age direct descendants in southwestern Canada use headpieces in their dances that represent the winter sun within the feathered serpent path, and being replaced by the springtime sun.WESVV050AiWESVT050AiThe SnakeRingStoryTheater’s path of the winter sun’s reincarnation to springtime sun is expressed in the murals painted millennia ago in shrine rooms of the world’s first true city Catal Huyuk in Turkey.WESVV065AiWESVT065AiTerminal Ice Age scene of underworld hazard to the young springtime sun in its passage to the east.WESVV031AiWESVT031AiThe SnakeRingStoryTheater in Easter Island includes images of the winter sun as an aged man and an anthropomorphic bird, phallic to join with the mother goddess and make the new sun of springtimeWESVV051AiWESVT051AiBronze serpent down the gable of the chief’s residence in Benin.WESVV066AiWESVT066AiFrom dawn to sunrise of the new springtime sun in these images from the Terminal Ice Age caves.WESVV032AiWESVT032AiThe source of music in the Terminal Ice Age concept of seven layers in the sky was bequeathed to pre-Conquest Mesoamericans .WESVV033AiWESVT033AiThe SnakeRingStoryTheater began human culture in the Terminal Ice Age, created the world’s first civilizations at major aberrations in the climate, and now remains in our faiths and universal consciousness.WESVV052AiWESVT052AiFrom the carrier of the new springtime sun in the Terminal Ice Age decorated caves to the mighty eagle in the seal of the United States.WESVV034AiWESVT034AiRing and Round Motifs for the sun in the art of the decorated Terminal Ice Age caves to modern jewelry.WESVV035AiWESVT035Ai Contemporary Art
Propositions SnakeRingStoryTheater from the Terminal Ice Age Dispersal of the SRST SRST to Civilization in Pre-Conquest AmericasWESVV036AiWESVT036AiWESVV037AiWESVT037Ai